Look for the story first and explain what you see. Who or what is suggested and what happens? When looking at people and things, pictures are figurative. If you see lines or splashes, it should not be figurative. The names of the pictures can be useful, especially when it comes to Dali.
What seems more important to the artist: expression or expression? Compare paintings in the style of hyperrealism and expressionism-you can always see if the image is idealized or explicitly distorted.
Notice the emotions you feel when you look at the picture, the overall impression of the picture and its elements. Then dig deeper to understand what stimulated your emotions. There is a reason why I like one picture better than another. His artistic tastes are as unique as his food and clothing tastes, inspired by his background, education and even his professional experience.
Gather information about artists and historical background. To analyze Picasso’s “Guernica”, we need to know that Guernica is a city destroyed by the Nazis and we need to read about the most important features of Cubism. To interpret the image of the calm people covered in cloth with Magritte’s “lovers”, knowing that the artist’s mother is drowning in the river, everything that looks at the painting and guesses collapses .. A cloth was wrapped around his head. So don’t trust your abilities and tastes. There are some things you need to know before you start making assumptions. Visit:- https://www.schadeherstelproducten.nl/
The historical background of the painting itself is important. Was the artist an innovator? Has he started a new trend or move? Did he follow in that footstep? What kind of experiment did you participate in? How did contemporary people observe the painting? Claude Monet started Impressionism with the painting “Dawn. Impressionism”. Malevic began Suprematism as a development of Abstractionism, revealing a new artistic theory of color, shape and composition in painting. The rough lines and raw colors of Fauvism paintings are from Van Gogh. Do you think the picture you are looking at suggests something new, or is there something that distinguishes it?
It’s easy. Since there are a limited number of genres of visual arts, paintings can be categorized: portraits, landscapes, sea areas, cityscapes, genre paintings, controversies, historical paintings, religious or mythological paintings, literary paintings, Self-portrait, animal? Painting, nudity, still life, or abstract painting?
Style / movement
The easiest way to interpret a painting is to determine which movement it belongs to, or at least which movement and style influenced the artist. Style influences subject, color, perspective, symbol selection and treatment.
For example, the Impressionists experimented with unusual perspectives, such as bird’s-eye views and frog eyes. The brush strokes are displayed and the colors are arranged separately to suit the viewer’s eyes rather than the palette. In Impressionism, light is more important than the people it reflects, and is very different from romance.
In romance, you need to be a poet, revolutionary, gypsy, or ass. They value bold spirit, freedom, and different people.
The Primitiveist (naive) artist presented the object in a solid and monumental way for children to see the whole world without having to analyze the object and divide it into unnecessary components. Symbolism has to look for hidden meanings, and pop art, art, Art Nouveau, and hyperrealism are completely useless. Each style and genre sets requirements, so first check the movement to which the artist belongs before proceeding.
Now let’s get back to the topic and the first impression of the painting. It’s time to analyze how artists feel like they’re free to use the artifacts. Composition is the interrelationship of the position and balance of objects and shapes in space, their size, color, shadows, and so on. How exactly do all of these affect your perception? Let’s deepen.
First, consider the size of the picture. The more impressive the subject, the more emotions it attracts and the larger the subject. Religious and mythical paintings are usually large and their enormous energy shakes you. This is very understandable in figurative paintings such as Raphael’s “The Sistine Madonna” and more subtle in the color field paintings by Mark Rothko. People are often overwhelmed by religious tremors in the presence of their artwork, and size plays a role. The subject often requires a large canvas. Battle scenes require space and cannot be placed in small pictures, but some subjects will be lost unless rendered in a small format.
Look at the shape now